Mazywood
by Tananarive Due
Pub Date Sep 22 2026 (Available Now)
Saga Press | S&S/Saga Press
General Fiction (Adult) | Horror | Multicultural Interest
Page: 512
DESCRIPTION/SYNOPSIS:
S. A. Cosby’s All the Sinners Bleed meets Percival Everett’s Erasure in this literary thriller following the grandson of a famous Black actress from the 1920s to the 1940s, now a filmmaker himself, who returns to his grandmother’s cabin retreat in the California mountains only to encounter the legacy of her rage born in Old Hollywood.
Award-winning author Tananarive Due returns with the follow-up to the multi-award-winning The Reformatory in this generational novel of rage. With flashbacks to Johnny’s grandmother—who brushed shoulders with giants like Lena Horne, Clark Gable, and Hattie McDaniel—this novel explores three generations, beginning with Mazelle Washington’s life as a young actress. Fifty years after Mazelle’s death, Johnny will discover the secret she kept and nurtured since she was a child, when she had a dark wish come true.
A monster lurks outside Mazywood, hidden for generations, and Johnny brought his family to its hunting grounds.
REVIEW:
I read and loved The Reformatory by Due back in March 2025 and so was looking forward to reading the eGalley of Mazywood to see what the award-winning author had done for an encore. The Reformatory presented horror in two forms, historical prejudices and brutal violence and present day supernatural horror via the ghosts of the murdered victims of the reformatory.
Mazywood follows that format to a degree, showing the historical prejudices and inequities dealt to Black performers in the early days of Hollywood (through the experiences of Mazelle Washington, via “Lazy Mazy and her wonder dog, Scout”) that slowly, reluctantly gave way to more inclusion and fewer insulting racist tropes. Unfortunately, Mazelle never experienced the gains of her famous contemporaries, e.g., Lena Horne and Dorothy Dandridge, among others. Mazelle herself was mired in a restrictive contract that promised but never delivered advancement. Those historical injustices are paired with the present day supernatural horror facing Johnny (Mazelle’s estranged grandson) and his family when they decide to vacation in Mazelle’s all-but-abandoned ski lodge.
Though it’s the tale of the joy of becoming an overnight sensation followed by enduring and bitter frustration, I thoroughly enjoyed Mazelle’s story in the past timeline as she makes a splash in Hollywood with her “wonder dog Scout,” and crosses paths with famous film stars (and musicians) who ultimately rise to greater heights, leaving her behind. Eventually, her legacy is lost and derided by her contemporaries and those that follow because she never escaped the embarrassing racist tropes that were forced upon her.
The present day story about Mazelle’s writer/director grandson and his family is less rich, the plot a bit thin in comparison. After her grandson faces some limitations and disappointment in what he can portray in his own film due to the racial bias in Hollywood that has never completely gone away, he takes his family on vacation to Mazelle’s forgotten ski lodge, a place he has avoided since an early scare with a supernatural creature which coincided with the never-solved disappearance of his uncle. Despite undergoing some renovations, the rustic lodge is plagued by the appearance of another, much larger supernatural creature with a taste for blood.
When Johnny’s family tries to flee the lodge, leaving most of their belongings behind, the creature snatches Tasha, Johnny’s wife and mother of their two daughters. From that point on, the present day plot is an attempted rescue mission in a snowstorm. For a while this part of the story gains little traction, as the three become would-be rescuers become separated and reunited on several occasions without making much progress, torn between continuing the search for Tasha or going back to town to seek help. Eventually, as they get closer to the creature, the suspense builds to a thrilling conclusion, with revelations and a welcome twist.
If you’re looking strictly for horror this Halloween season, The Reformatory packs a bigger punch, but Mazywood (billed in the promotional materials above as a “literary thriller”) has much to offer.
Note: I received an eGalley of Mazywood from the publisher via NetGalley in consideration of an unbiased review.
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